By Evan Spring,George Bassett,Edward Berger,Henry Martin,Dan Morgenstern
John Howland strains the relationship among Duke Ellington's prolonged works and the "symphonic jazz" version of the Nineteen Twenties as exemplified via Paul Whiteman and his leader arranger, Ferde Grofé. Horace J. Maxile Jr. takes an unfashionably extensive standpoint of Charles Mingus's "Ecclusiastics," making use of contemporary advancements in cultural conception in addition to the formal instruments of conventional track concept. Brian Priestley's exploration of the binds among Charlie Parker and well known song demanding situations the canonical depiction of Parker as a lone innovative genius, as an alternative underscoring the saxophonist's ties to the preferred tune of his time. ultimately, John Wriggle offers an in depth exam of the lifestyles and paintings of arranger Chappie Willet, an unsung hero of the Swing period. The e-book stories disguise a cross-section of the burgeoning jazz literature, and Vincent Pelote has back compiled an inventory of books bought on the Institute of Jazz Studies.
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Extra info for Annual Review of Jazz Studies 14
Annual Review of Jazz Studies 14 by Evan Spring,George Bassett,Edward Berger,Henry Martin,Dan Morgenstern